ABOUT AUDIX MICS

30 Years of Excellence

Audix commenced in 1984 with a mission that remains unchanged: To design, engineer, and manufacture high performing, innovative products that contribute to the advancement of the professional audio industry. Year after year Audix microphones are recognized for their innovative design, performance, quality, durability and value.

Microphones Built to Last a Lifetime

Audix pushes the limits of technology. Our state of the art facility in Wilsonville, Oregon is home to our research, design, fabrication, assembly, final test and logistics operations. We continue to evolve and strive to provide our customers with products that exceed industry expectations.

Performance is Everything

We attribute our continued success to several factors: our devoted customers who provide us with invaluable product feedback; a talented research and development team whose goal is to produce state of the art products and a highly trained staff who want to help you get the most from your Audix equipment.

Ingenuity and passion are alive and well at Audix – and we have every intention to keep it this way.

Multi-purpose dynamic microphone with clear accurate sound.

Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech.

The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz – 16 kHz, the i5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Roadworthy construction includes a precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft® XLR connector and includes a heavy duty nylon mic clip.

Applications:
Live Stage, studio
Snare, toms, percussion
Guitar cabinets, electric intruments
Brass, flute,woodwinds
Acoustic intruments
Vocals, speech

Specifications:

Type: Dynamic
Polar Pattern :Hypercardioid
Frequency Response: 50 Hz – 16 kHz
Impedence: 150 ohms
Sensitivity: @1k 1.5 mV/Pa

Designed, assembled and tested by Audix in the USA, the OM2 is a dynamic vocal microphone used for a wide variety of live and studio applications. The OM2 is known for its clear and accurate sound reproduction, resistance to feedback and ability to handle very high sound pressure levels without distortion.

The OM2 is characterized with a tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz – 16 kHz, the OM2 employs a VLM™ (Very Low Mass) diaphragm for natural sound with exceptional transient response.

The OM2 is designed with slight bass proximity and a tailored mid-range, giving it a full bodied sound on small to mid-size PA systems. The OM2 is well balanced, comfortable to hold, durable and manufactured with high standards and tight tolerances.

Roadworthy construction includes a precision die cast zinc alloy body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and heavy duty nylon clip.

Applications:
Live Stage
Small venues and outdoor concerts
Broadscast
Sax, brass, guitar, dobro, flute, percussion, drums
Home studio

Specifications:

Type: Dynamic
Polar Pattern :Hypercardioid
Frequency Response: 50Hz – 16kHz
Impedence: 250 ohms
Sensitivity: @1k 1.7 mV/Pa

Designed, assembled and tested by Audix in the USA, the OM5 is a dynamic vocal microphone used for stage, studio and broadcast applications. The OM5 is known for its clarity, resistance to feedback and ability to handle sound pressure levels in excess of 144 dB without distortion.

The OM5 is characterized with an extremely tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz – 19 kHz, the OM5 employs a VLM™ (Very Low Mass) diaphragm for natural response, accurate sound reproduction and exceptional transient response.

The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored for presence allowing the vocalist to be more easily heard in the mains as well as the monitors. The OM5 is comfortable to hold, durable and manufactured with high standards and tight tolerances.

Roadworthy construction includes a precision die cast zinc alloy body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and heavy duty nylon clip.

Applications:
Lead or backing vocals
Live recording
Broadscast
Sax, brass, guitar, dobro, flute, percussion, drums
Home studio

Specifications:

Type: Dynamic
Polar Pattern :Hypercardioid
Frequency Response: 48Hz – 19kHz
Impedence: 200 ohms
Sensitivity: @1k 1.8 mV/Pa

Provides huge kick drum sound with ground shaking low end while delivering exceptional clarity and attack.

Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz – 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.

Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.

Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.

Applications:

Live stage, recording
Kick drum
Floor tom
Bass cabinets
Leslie bottom
Specifications:
Type: Dynamic
Polar Pattern :Hypercardioid
Frequency Response: 30Hz – 15kHz
Impedence: 200 ohms
Sensitivity: @80Hz 0.8 mV/Pa