Audient EVO 16 Audio Interface
Audient EVO 16 Audio Interface
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Eight award winning EVO Preamps alongside our advanced converter technology will make everything you do, sound better. Add to that, intelligent mic preamps that set their own levels with Smartgain, the all new, groundbreaking Motion UI control system, and enough I/O firepower to tackle even the biggest of sessions, EVO 16 is truly a studio powerhouse, designed from the ground up to make recording easy.
Get studio quality recordings
Level up your audio performance with eight sonically stunning EVO Preamps. Backed by 25 years of engineering experience, our analogue mic preamp has been designed to deliver the most accurate, clean, and true to source version of your audio, no matter what you’re recording.
Our EVO Preamp technology not only has all the sonic advantages of an analogue mic preamp, but combines it with digitally controlled precision, giving you the ability to set your gain with pin-point accuracy, right down to the decibel.
A total gain-changer
Make recording drums and larger sessions easy with Smartgain. Automatically set the gain for all 8 channels at once with a simple touch of a button. Powered by our lightning quick Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse, adjust and set your gain to the perfect levels – all in less than 20 seconds!
Working Solo?
Record, adjust levels, repeat? Sound familiar? Save time and make recording on your own a breeze with Smartgain. Simply set up your mics, hit Smartgain, start performing and EVO 16 will take care of the rest.
Clearer, sharper clarity
Providing a MASSIVE 121dB of dynamic range, EVO 16’s high performance converter technology makes sure you hear your audio accurately, helping you make creative decisions confidently, identify issues and improve your recording and mixing game.
The Motion user interface (UI) has been designed to change the way you interact with your audio interface. For the first time, a stunning high resolution, full colour LCD screen intelligently displays information as you need it, transforming EVO 16 into a fully immersive, easy to use experience.
Pick The Best Route
Connect and listen to your mixes through multiple sets of speakers with EVO 16’s eight line outputs. Alternatively use the extra line outputs to send audio to external outboard gear, such as compressors or FX units, or to headphone amps for distribution to your artists.
Clarity where you need it most
Drive even the most demanding headphones with EVO 16’s two dedicated headphone amps. Easily power headphones up to 600 Ohms all while experiencing detailed monitoring and playback as well as plenty of volume.
To build a monster guitar sound you need the right foundation. Our harmonically rich JFET instrument input circuit is designed to replicate the input stage of a classic valve amplifier, providing an ideal sonic foundation before you hit your guitar sims.
Room For Expansion
Future proof your studio and configure your setup to tackle bigger sessions. Whether you’re recording drums or taking on a full band, EVO 16’s optical inputs and outputs have got you covered. Supporting both ADAT and SPDIF, add up to 16 channels of mic preamps to your setup, giving you plenty of options for expanding your studio down the line. Pairs great with any external mic preamp
For the keen listener
EVO 16 takes critical listening seriously and is packed full of monitoring functionality to back it up. Whether you are switching between two sets of speakers using the ALT monitor feature, checking your mix in Mono or quickly communicating with your artist using Talkback – all features can be activated straight from EVO 16’s front panel. The best part is you get to customise which control is assigned to the hardware F-button.
Communication is key
EVO 16’s dedicated talkback technology lets you use any audio source connected to your computer such as a built-in or USB microphone as your talkback mic, freeing up valuable mic preamps for recording.
Audio Loop-back
In the world of content, your audio needs to not only sound great but be easy to control. Audio Loop-back makes this possible. Ideal for content creators, podcasters and streamers.
Specs:
Microphone Preamplifier
Mic Gain Range: | 58dB |
Line Gain Range: | 58dB (-10dB pad) |
Phantom Power: | 48v +/-4v @ 10mA/Channel |
Mic EIN: | <-127.5dBu |
CMRR: | >80dB @ 1kHz |
Maximum Input Level: | +16dBu |
Input Impedance (Mic): | >3kΩ Balanced |
Input Impedance (Line): | >10kΩ Balanced |
Frequency Response: | +/-0.5dB 10Hz to 40kHz |
Crosstalk: | <-105dBu @ 1kHz <-103 @ 10kHz |
THD+N @ 0dBu (1kHz): | <0.0015% |
SNR: | 100dB |
XLR: | Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) |
1/4” Jack: | IP (Hot), RING (Cold) & SLEEVE (Shield) |
D.I
D.I Gain Range: | 58 dB |
Maximum Input Level: | +10dBu |
Input Impedance: | 500k |
Frequency Response | +/-0.5dB 10Hz to 20kHz |
THD+N @ 0dBu (1kHz): | <0.1% |
SNR: | 100dB |
1/4” Jack: | TIP (Hot) & SLEEVE (Shield) |
ADC Inputs
Digital Reference Level: | 0dBFS = +10.5dBu |
Frequency Response: | +/-0.5dB 10Hz to Fs/2 |
Crosstalk: | -125dBu @ 1kHz & 10kHz |
THD+N @ -1dBFS (1kHz): | <0.001% |
Dynamic Range: | 112.5dB A-Weighted |
DAC Outputs
Maximum Output Level: | 12dBu |
Digital Reference Level: | 0dBFS = +12dBu |
Output Impedance: | <50Ω |
Frequency Response: | +/-0.5dB 10Hz to Fs/2 |
Crosstalk: | <-110dBu @ 1kHz |
THD+N @ -1dBFS (1kHz): | <0.001% |
Dynamic Range: | 121dB A-weighted |
1/4” Jack: | TIP (Hot), RING (Cold) & SLEEVE (Shield) |
Headphone Output
Max Output Level: | 11.25dBu |
Output Impedance: | <50Ω |
Frequency Response: | +/-0.5dB 10Hz to Fs/2 |
Crosstalk: | -108dBu @ 1kHz |
THD+N @ -1dBFS (1kHz): | <0.001% |
Dynamic Range: | 118dB A-weighted |
Max Level Into 30ohms: | +8.5 dBu, 0.00094% THD+N, 1.66Vpk Power: 86mW |
Max Level Into 60ohms: | 10 dBu, 0.00079% THD+N, 2.55Vpk Power: 104mW |
Max Level Into 600ohms: | 11.2 dBu, 0.00057%THD+N, 3.83Vpk Power: 24mW |
1/4” Jack: | TIP (Left), RING (Right) & SLEEVE (Shield) |
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